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Glou!glou!glou!thecrystaltrumpetsslowlyrepeattheirnotes,thepowerfulsonorityofwhichhasalaboredandsmotheredzyys201509sound,asifzyys201509theycamefromunderwater;theyminglewiththejinglingofrattlesandthenoiseofcastanets.Wehavealsotheimpressionofbeingcarriedawayintheirresistibleswingofthisincomprehensiblegayety,composed,inproportionswecanhardlymeasure,ofelementsmystic,puerile,andevenghastly.Asortofreligiousterrorisdiffusedbythehiddenidolsdivinedinthetemplebehindus;bythemumbledprayers,confusedlyheard;aboveall,bythehorribleheadsinlacqueredwood,representingfoxes,which,astheypass,hidehumanfaces鈥?hideouslividmasks.Inthegardensandoutbuildingsofthetemplethemostinconceivablemountebankshavetakenuptheirquarters,theirblackstreamers,paintedwithwhiteletters,lookinglikefuneraltrappingsastheyfloatinthewindfromthetopsoftheirtallflagstaffs.Thitherwzyys201509eturnoursteps,assoonasourmousmeshaveendedtheirorisonsandbestowedtheiralms.Inoneoftheboothsaman,stretchedonatable,flatonhisback,isaloneonthestage;puppetsofalmosthumansizzyys201509e,withhorriblygrinningmasks,springoutofhisbody;theyspeak,gesticulate,thenfallbacklikeemptyrags;withasuddenspringtheystartupagain,changetheircostumeszyys201509,changetheirfaces,tearingaboutinonecontinualfrenzy.Suddenlythree,evenfour,appearatthesametime;theyarenothingmorethanthefourlimbsoftheoutstretchedman,whoselegsandarms,raisedonhigh,areeachdressedupandcappedwithawigunderwhichpeersamask;betweenthesephantomstremendousfightingandbattlingtakeplace,andmanyasword-thrustisexchanged.Themostfearfulofallisacertainpuppetrepresentinganoldhag;everytimesheappears,withherweirdheadandghastlygrin,thelightsburnlow,themusicoftheaccompanyingorchestramoansforthasinisterstraingivenbytheflutes,mingledwitharattlingtremolowhichsoundsliketheclatterofbones.Thiscreatureevidentlyplaysanuglypartinthepiece鈥?thatofahorribleoldghoul,spitefulandfamished.Stillmoreappallingthanherpersonishershadow,which,projecteduponawhitescreen,isabnormallyandvividlydistinct;bymeansofsomeunknownprocessthisshadow,whichneverthelessfollowsallhermovements,assumestheaspectofawolf.Atagivenmomentthehagturnsroundandpresentstheprofileofherdistortedsnubnoseassheacceptsthebowlofricewhichisofferedtoher;onthescreenattheverysameinstantappearstheelongatedoutlineofthewolf,withitspointedears,itsmuzzleandchops,itsgreatteethandhangingtongue.Theorchestragrinds,wails,quivers;thensuddenlyburstsoutintofunerealshrieks,likeaconcertofowls;thehagisnoweating,andherwolfishshadowiseatingalso,greedilymovingitsjawsandnibblingatanothershadoweasytorecognize鈥?thearmofalittlechild.WenowgoontoseethegreatsalamanderofJapan,ananimalrareinthiscountry,andquiteunknownelsewhere,agreat,coldmass,sluggishandbenumbed,lookinglikesomeantediluvianexperiment,forgottenintheinnerseasofthisarchipelago.Nextcomesthetrainedelephant,theterrorofourmousmes,theequilibrists,themenagerie.Itisoneo鈥檆lockinthemorningbeforewearebackatDiou-djen-dji.WefirstgetYvestobedinthelittlepaperroomhehasalreadyonceoccupied.Thenwegotobedourselves,aftertheinevitablepreparations,thesmokingofthelittlepipe,andthetap!tap!tap!tap!ontheedgeofthebox.SuddenlyYvesbeginstomoverestlesslyinhissleep,totossabout,givinggreatkicksonthewall,andmakingafrightfulnoise.Whatcanbethematter?Iimagineatoncethathemustbedreamingoftheoldhagandherwolfishshadow.Chrysanth猫meraisesherselfonherelbowandlistens,withastonishmentdepictedonherface.Ah,happythought!shehasguessedwhatistormentinghim:
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